Sauragar

Sussagar is a beautiful collection of kirtan-post created by Mahakavi Surdas in Brajbhasha, which is semantically appropriate and respectable. The first nine chapters are abbreviated in this, but the tithe scandal has expanded very much. There is the primacy of devotion in it. Two episodes of "Kishan Ki Baal Leela" and "Ghumar-Geetasarar" are very important.

It is said that there is about one lakh posts in the Surasagar. But in the present versions only about five thousand posts are available. More than one hundred copies have been received at different places, the oldest copy has been found in the Saraswati reservoir of Nathdwara (Mewar) in which copies are from 1658 v to nineteenth century. There is a great difference between "Bhagwat" and "Sauragar" in terms of philosophical ideas.

Dr. Hajari Prasad Dwivedi, while appreciating the Saurashtra, has written - In this vast forest area of ​​poetic qualities one has its innate beauty. He is not like the delightful garden, whose beauty is reminded of the gardener's work in the post, rather it is like the uncultivated forest land whose creator has been mixed in the composition.

introduction

In the complete handwritten form, there are two forms of "Sauragar" - "Museum" and according to Sanskrit Bhagwat "Dashash Scandal". Two forms of collective "Sauragar" are also seen. First, on the occasion of being the disciple of Shri Vallabhaacharya on your Gaughat (Agra), the first Bhagavalli Litra post "Braj Bhayo Mehra Ki Poot, When Yeh heard Sunni" starts, secondly - "Mathura-Bij-Leela". ...

It is said that there is a different history of the evolution of the evolution of the "Saurasagar" from the history books of Hindi literature, which has not yet come to light and contemporary devotees of Sri Sur, history composers- "Mr. Gokulanath ji, Sriharirai ji .- 1647 v.) And Shri Nabhadas ji (No.-1642 v.) In particular, which is mentioned in the special mention. Later, Anant-sur-Modhavali Sagar was called, and later, as Srirur, as it is known from the texts above, was a free singer of Bhagviglila, creating a new new post. , Used to sung in front of his Lord "Govardhanath ji". He was a composer, so he is blessed with his paintings by filling the colors of the fine juices in the ragas that can be sung from morning to evening. They used to do that, they did not have the desire to store their unpaid works, and they did not want to give them many chants, their work, singing their Lord's song "Guni Guruuli Gunavali", and immersing in his Amritopam juice, and "Eightly Artpuns: Krishnmasu Bhagwan Himself (Part 1/3/28) in the Nandalal from the hair to the teenage stage was to be respected by the dynamism in the Leelas, here to summarize and collect all the Mukasak compositions. And where it was located.

It is said that Mr. Surdas was "completely blind," then how did his collective compositions of then? Still, Surdas must have been writing and compiling the regular songs and songs being sung. Otherwise they would have been composed primarily of composed and sung words. Perhaps a contemporary disciple or friend of Sur, if Sur Shamu was blind - then he would have been writing and compiling those posts. So far, any history of becoming a collection or sculpture is not fully known. During the time of Shri Vitthal Nath Jee Goswami (number 1572 v.), Many funds (sculptures) dedicated to Lord Vishnalabhacharya, went out of Braj by your descendants, "Sangeet-Sangeet-Sagar" (B. Raghunath)] Ji Namrarnaru. According to the sect, "without service and without service, there is no service without kirtan", so where these funds went, there also the works of poets of Ashtchap in the form of "Kanth" or "Book" also went there and in their compiled form- The name "Nitya Kirtan" and "Varotsotsav" are named, it is also said.

The "collective" form of Sur Sea was compiled in front of Sri Aurobindo. His no. The copy of the 1630 v. Is found in Braj. Many subsequent written memoirs are also found. The printed form is somewhat old. Earlier it was from Mathura (No. 1840 AD), later in Agra (No.-1867 AD 3rd time), Jaipur (Rajasthan No. 1865 AD), Delhi (No. 1860 AD) and Calcutta no. In 1898 AD, Litho was published by press and published. Krishnananda Vyasdev compiled "Raagakaladraudum" is also a distorted form of the collection of Saurashtra in this period, which is divided into the colors of the music. Ritikleen famous poet "Dijijdev" of Braj Bhasha - meaning Maharaja Mansingh, Ayodhya king (v. 1907 v.) Edited in 1920 V., published from Lucknow's Navalkishore Press. All these collective forms begin with the "Nandmohotsav" celebrated in the Gokul Nandal of the birth of Lord Shri Krishna, the arrival of his entire Brajlela Mathura, Uddhav-Gopi-Dialogues, Shri Ram, Narasimha and Vaman Jayanti and disciples of First-Shri Vallabhacharya Has been finished before the post of "Dina Shelter" created before This form of compilation of poems does not end in the composition of the ocean itself, it has progressed in various forms, so that the compiled form of his composition in the form of manuscript and print is seen, which are as follows - the post of Deity Shelter , The position of vision, which is called "the literary" today. Ramayana, Balilila's post, Vinay Patrika, Vairagyastak, Surachhati, Surabhouta, Sur illusion song, Sur, Surdas Nayan, Murali Madhuri etc.- But all these collections are the melodious fruits of your collective "ocean Kalpataru".

Shree Vyas Praneeth as Shree Sur Sea and also known as Shuk-Muka, "Dashash Scandal". When it was made, nothing could be said. History books are silent in this subject. The most ancient copy of this dashash scandal, "Sur Sagar" 1757 v..

There are many handwritten copies after this. On the basis of them, it can be said that this "Srimad Bhagavatam Dashash Sculptural form" was not formed before the eighteenth century. His predicted "mosaic" form had been widely spread till this time. At the same time, there was no special difference in the beauty and beauty of this (mosaic) form and the purity and beauty of language. He was very beautiful like the time of the sun, it remained beautiful, but in this dream sculptural forms, that thing could not be done properly. As he progressed in the handwritten forms, he was away from the language of the soul. Nevertheless, the person who lost his existence and composed such unbounded linguistic fictional posts like "Hari, Hari, Hari Hari Suman karao" and Bhagwat Bhagwat specializing in the post of "Dinka Shelter" created before the arrival of Shri Suryamdallabhacharya in the foothills. Accordingly, not only to the first wing, the Tenth Scorpion has saved the second half, the eleventh and the dwarf wings, it is respectable. Outline

The "framework" of this horizontal scandalous cyclone is as follows:

The first wing - the interpretation of the gloss of devotion, the purpose of Bhagwat, Shuk Utpati, Vyas Avatar, the brief Mahabharata story, Yantra-Shanak-dialogue, Bhishma Vivek, Bhishma-Deh-Tyag, Krishna-Dwarka-Gaman, Yudhishthira Vairagya, Himalayas of Pandavas, Prakritijnam, Rishishap, Kaliyuga, Penalties etc ..

Second Wing - Nature Origin, Description of Virat Man, Story of Twenty-four Incarnations, Brahma Origin, Bhagwat Four Shlokas Mahima. At the beginning of this section, Bharti is also mentioned in the form of the devotion and satsang's glory, devotional instrument, intimacy, God's virginity.

Third Wing - Uddhav-Vidur-Dialogues, the acquisition of wisdom as told by Maitre to Vipur, the birth of the dream and the birth of four humans, Devasur birth, twelve-incarnation-description, kardam-devahuati-marriage, Kapil Muni incarnation, Devu Devotional questions from Kapil Muni, Bhaktimahima, Devahuati-Hari-Padvi..

IV scandal - Yagyampurya Avatar, Parvati Marriage, Dhruv tale, Prupu Avatar, Puranthan Aryan.

The fifth wing - Rishabhdev Avatar, Raktabharat Katha, Rahuagan Dhaal.

The Sixth Wing - Ajamil Deliver, Jupiter-Avatar-Kathan, Vrittra-Survadha, Being Disenchanted from the Throne of Indra, Gurumahima, From Gurukra, Indra receives the throne again.

The seventh wing - Nusingh-avatar-description.

Ashtam Wings - Description of Gajendramo, Kurmavatar, Sea Manthan, Vishnu God's Mohini-Roopa, Vaman and Fish Avatar.

Navarang Wing - Purvarawa-Urvashi-Sakhan, Chyavan Rishi Katha, Haldar Marriage, Anecdote of Raja Ambrey and Saubhir Rishi, Ganga Arrival, Parasurama and Shri Rama's Avatar, illumination.

Dasham Shank (First Time): Birth of Lord Krishna, Mathura to Gokul, Pootnavad, Shakatsur and Tranavarta slaughter, Naming, Annaprashan, Shankarnadhan, Ghaturun, Baleshashobha, Chandra Prastav, Kalau, Marthikbhakshana, Makhanchor, Godon, Dinsasasur, Bakasura , Slaughter of osteoporosis, Go-Watts-Haran by Brahma, Radha-first-Milan, Radha-Nandghar-Arrival, Krishna's go to Radha's house, Gostran, Dhenukvad, Kaliyadman, Prahlanshradh, Murli-Chir-Har , Stop drinking water, Govardhan Pooja, Danilai, eye description, Rasleela, Radha-Krishna-Vivah, Mana, Radha gurman, Hondola-Leela, Vrishbhaasur, Keshi, Bhomasur slaughter, Arak arrival, Krishna's Mathura going, Kubja Milan, Dhobi Kahhar , Shal, Tosal, Mashtik and Chanur's slaughter, Dhanushabhang, Kuvaliyapid (elephant) slaughter, Kansavdha, Raja Ugrasen to sit on throne, liberation from the prison of Vasudev Devaki, Yajnopavati, Kozjhar Gaman, etc. - etc.

Dasam Vandra (latter) - Jarshand war, Dwarka construction, Kaliyavan combustion, Mochukunda resort, Dwarka admission, Rukmini marriage, Prudumun Marriage, Anandro Marriage, Raja Deag Naga guard, Raja Ram ji of rejuvenation, Samam Marriage, Krishna- Hastinpur-Gauman, Jarasand and Shipupal slaughter, Invasion of gate of Shalv, Shavvadhadh, Damage of Datvakra, Ballwalwadh, Sudamacharra, Kurukshetra arrival, Krishna's Srinand, Yashodha and Secrets Meetings, Vedas and Nadar stats, Arjun-Sudhdra-Marriage, Bhasasur dam, Bhirdu examination etc. . ..

Ekadashi Wing - sending Shrikrishna's Uddhav to the temple, narayan and the breathtaking narrative.

Dwashash Wing - "Buddhist, Kalki-Avatar-Statement, King-Examinated and Birth-Life Story, description of Bhagavat Avatars etc.".

According to this Shrimad Bhagwat according to this Shrimad Bhagwad, also in the form of a Dashash-Sculptural form, a special classical "Hari, Hari, Hari, Hari Suman Karao" of Sri Taura, rubbing with many irregular glass beads, Kindness, empathy, art, and Krishnastava with the splendor of God, glorify your cultures by reflecting the sublime devotion, its grandeur, singularity, their luxury, satire and ingenuity of self. We are making them look as viable and viable. Also see them

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