Sixteen makeup

It has been an ancient tradition of sixteen ornaments (Shodash Shringar) in Indian literature. Both men and women have come to the toilet since time immemorial, and this art has been so widely publicized that only a separate class of practitioners and practitioners was made. Of these, most of the scenes we get are seen on the guardrail or doorsteps (lit.). Angusuchi, Manjana, Vasan, Mang, Mahawar, Kesh Tilak Bhal, Til Chibuk, Bhushan Rosemary. Missy Kajal Agarga, Veeri and Aroma

i.e. in the limbs to be rubbing, bathing, wearing clean clothes, filling demand, making a bigger, baling, tilak, making moles on the thorax, wearing ornaments, rosemary, massey in tooth, mascara in the eyes, Use aromatic substances, eating pans, wearing garland, wearing blue lotus.

There was a lot of hype before bathing. Its second name is cosmetic. Various types of sandalwood, kalyak, agro and aroma were made by mixing it. It was made of different types for use in winter and summer. Both men used it for aroma and coldness.

Many types of baths are described in the kayaks, but they were the most popular water sports or water sports. Most of the bath water was flowered with flowers such as "bathstall" nowadays. A type of soap was also used which was called "foam" and from which foam also came out.

Vasan was clean clothes who used to wear male wives after bathing. Men used to wear a rim and lingerie, and women were brassiere and dagger. Although the colors were also worn in color, however ancient males used to prefer white white garments. There were many ways to make gold, silver and gems work even more beautiful.

After the bath, all the well-known ladies used to ask for vermilion. In fact, except for warwy, most of the married women get to mention the make-up toiletries, not the girls. Instead of vermilion, there was a tradition of decorating the demand even with flowers and beads.

The methods of hair styling were its own at all times. Water was squeezed from the hair after the bath. Many such scenes are engraved on stone. Dry hair was scented by the smell of incense and sandalwood and according to its time, it was decorated with various types of wines, elks and joints. There was a common custom of singing pearls and flowers in the hair. Virgo and abandoned brides are described in the same verse as dry alarms; They did not do toiletries.

The method of setting up Mahaara is very popular today, especially on festivals or on demanding occasions. These were used to make the nails and legs of the feet, and also the work of modern "lipstick" was taken by putting it on the lips. The splendor of lip-flop with great splendor on the lips gave the impression of the most adorable Pandavas.

Mouth toilet was especially dear to women. There were many names like "paper", diacritic, letter writing and devotion. Several types of flower leaves and small big boards were made around the cheeks, heads and bhavs from the lamps of red and white sandalwood. It was also used in wet or dry saffron or kumkum. Later it was replaced by Bindi, which is still the beloved toilet of women in this country. The only way to apply the only single point of mascara was the method. Just like nowadays, it was the practice of making the beauty attractive by squeezing two small mascara on the chin.

Nowadays, in ancient India it was a common custom to redeem palm and nails from redness.

There was an infinite tradition of jewelery that the male women used to wear both. In the medieval period, the use of ornaments increased so much that only a part of the body is left where the jewels are not worn.

Kajal or Anjan was widely used in the eyes. Sculpture is often portrayed by a woman wearing an oarspan.

Argas are a type of lip that was made by adding saffron, sandalwood, camphor etc. It was mostly used to smell the body like modern perfumes or cents.

To smell the mouth, both men and women used to drink copper or paan. Tambulwini had her own special place in the nurses of the kings.

Indian woman has special fascination for flowers in her toiletries. In the judo, in the wallets, ears, hands, arms, and katriarchand used to use flowers and gazers of Lotus, Blunt, Mandar, Shirish, Saffron etc.

The sixteenth part of the makeup is the blue lotus, which was fitted with the fifteen emeralds aforementioned, including full blown flowers or buds. Blue lotus is depicted in an ancient form of sculpture. History

The composition of the Shodash makeup in ancient Sanskrit literature appears to be unknown. It is estimated that this calculation comes for the first time in Vallabhbhai's Subhashitavali (15th century or 12th century). According to him, they are as follows - Adro majjekarharikatakan natranjangan kundale, nasamuuktik keshcha sattankanchuk nupurou Steps can be taken in the form of a stellar show, a knife-knit shirt. i.e. (1) masculine, (2) masculine, (2) ritual, (3) necklace, (4) tilak, (5) anjan, (6) coil, (7) discharge, (8) hairstyle, (9) choli (10) Nupur, (11) Angrap (fragrance), (12) Creation, (13) Steparag, (14) Karhani, (15) Tambul and (16) Karnaranth (ring called Arso).

Again, in the 16th century, this list of makeup in the form of the Swaminarimali of Shri Rupagoswami is enumerated in this way - Snantanasagrajnagrnamirasiripta Sathinini Bandhavnei: Sotat Chalititiggi Kusumitichikura Stravinhi Padmahasta. : Tambulasalirubindustabakitikabuka kajjalakshi Suchitra Radhalchojwanglangri: Phosphati Tilakini Shodashakalpilinam ..

This list of makeups is made from this proof- i.e. (1) bath, (2) NASA Mukta, (3) Asit patt, (4) Kati Sutra (girdle), (5) Genetics, (6) Karnavatans, (7) Talking of limbs, (8) flower, (9) lotus in hand, (10) blossoming in the hairstyle, (11) copper, (12) paint of musk by chicken, (13) mascara, (14) Illustration of body cover, murmur, etc., (15) elctak and (16) tilak Variation is clear in the makeup list till the time of Vallabhbhai and Shrirapposwami.

In Hindi poets, these makeup are as follows: (1) Mormon, (2) bath (Joyce has kept the bed, bath separately), (3) Clothing, (4) letter, (5) vermilion, (6) Tilak, (7) coil, (8) Anjan, (9) coloring of figures, (10) copper, (11) brinjal, (12) sesame on Kapolon, (13) necklace, (14) shingle, ( 15) Rudrakantika Side (16) Payal.

Rishikav's Acharya Keshavdas also computed sixteen makeups like this - First gross list, Manjam Amal Bass, Jawak, Sudes Kisas Koi Samaribo Anangag, Bhushan, various mouth-watering rage, Kajal Lalit Lol, Lochan Niharibo. Bolan, Hansen, Mridhalan, Chitoui Charu, Moment of the moment, Patiabrut Pran Propylibo 'Kesodas' so bilas karamu kuveri radhe, ehi bidhi sorehai singaran singaribbo

In criticizing the above verses, Sardar Kavi has given these dresses as counting- (1) Ubattan, (2) bath, (3) Amal plat, (4) outgoing, (5) braid singing, (6) in demand (7) Moles in the frontal, (8) Sesame in Kapol, (9) Kesar Leapan in the organ, (10) Henhadi, (11) Pushpabhushan, (12) Swarnabhushan, (13) Maskhas (14) Dental Manjana, ( 15) copper and (16) mascara. It is clear here that the commentator has added many tools on your behalf.

Nagendranath Vasu has computed these makeups in Hindi encyclopedia: - (1) Ubuntu, (2) Bath, (3) Textile, (4) Hairdressing, (5) Kajal, (6) Demand from vermilion (7) Mahavar, (8) Tilak, (9) Sesame on the chin, (10) Henna, (11) Aroma, (12) Jewelery, (13) Puspamal, (14) Missi Chana, (15) Tambul and (16) colored balls.

The above lists indicate that there is no definite definition or list of hexadecimal makeup. According to the country and the time it varied according to time. Also see them

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