Film photography screen creation

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Film photography screen creation Business claims

"Film photography screen creation", is China Film Publishing House in August 1, 2010 published books.

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Basic information / Movie photography creation

Publisher: China Film 1st edition (August 1, 2010) Paperback: 315 ISBN: 7106013145, 9787106013141

Product Description / Movie Photograph Creation

brief introduction

"Film Cinematography", this book is about film production and film photography art works. Based on his many years of experience in film teaching and art creation, the author of the film photography art on the scene, lens, light, composition, angle, color, visual elements and sports and other creative aspects of the basic theory, creative skills , Methods, means, techniques and the handling of art issues, from theory and practice of doing a comprehensive theoretical discussion and systematic analysis. The book chapters as the main content of the "film screen" course, to become the college to learn production undergraduate, graduate professional courses. In the film production techniques for discussion at the same time, but also on the music television (mtv) screen creation made a serious discussion, and put forward unique insights.

table of Contents

The first chapter of the film screen scene The first section of the scene of the scene Second, King of the meaning of the other First, the landscape is an external form of language Second, the scene is the lens of the expression of the form of space Third, (Environment) in the specific composition of the relationship between the composition and style Fourth, the scene is a kind of lens style and director of the style of the third section of the screen King Other Division One, the other part of the landscape Second, the other types of landscape Fourth Panorama The series of King and close-range series King One, Panorama series King Second, close-range series King Do The fifth section of the screen to determine the scene of the main conditions and the impact of King do not change the main factors First, determine the scenery of the main conditions Second, The main factors of the scene do not change the sixth section of the modeling function and the role of the other First, the camera scene modeling features Second, the role of photography scene Do not pay attention to the seventh section of the problem First, the scenery and the screen was taken Third, the pursuit of visual changes in the screen, emphasizing the visual effects Fourth, the different scenes of the length of time to consider and do not consider the time frame of the scene, and the visual effects of the scene, Control five, the scene does not affect the screen exposure Sixth, according to the overall picture of the other scenes of the overall trend, consider the treatment of modeling elements Seven, give full consideration to the changes in landscape do not deal with eight scenes of each scene and echo the nine , The use of the scene, the scene space, the film has a descriptive style and suggestive space, to consider the landscape of the other concerns of space 10, to fully consider the landscape of their own changes in the way and the arrangement of the second chapter Lens Section Refers to the second section constitutes the main body of the lens position and shape of the relationship between a person, the location of the six forms of arrangement Second, the relationship between the six forms of body shape Section III of the three typical types of lenses First, the relationship between the lens Second, the action lens Three , Rendering the lens The fourth section of the lens there are three typical scenes First, there is no action dialogue Second, there are dialogue with the action Third, no dialogue with the action Section V The basic structure of the lens Sixth lens design and shooting to pay attention to the problem Section VII of the lens axis, the more the axis of the eight basic forms Second, the axis should pay attention to the eight issues Chapter III of the first section of the light ray function of the second section of the concept of light Section III focus and Feeling the fourth quarter of the aesthetic effects of exposure Fifth section of the brightness and contrast of the sixth section of the scene atmosphere Section seventh character modeling Section VIII visual tone Section IX light processing application skills First, the whole film style of light should be clear Second, the light intensity of the measured Grasp the three, the ambient light, the lighting of the characters light four, the scene light control five, the figures of the move and not move six, the authenticity of the hypothetical seven, the main form of light eight, contour light (backlight) rationality Do not with the light 10, the light of the region and the movement of the embodiment of Eleven, each scene of the light form of the difference between the tenth section of the style of light Section XI of the overall design of the fourth chapter of the first section of the picture coherent consecutive position Section of the screen angle of the coherence of a non-narrative lens Second, the narrative lens The scene of the third scene coherent one, non-narrative lens Second, the narrative lens The fourth section of the screen action of a coherent, the range of motion coherence Second, the action point coherence The fifth section of the main direction of the coherent picture First, the narrative direction Second, the logical direction Third, the relationship between the painting and out Sixth section of the line of sight of a coherent picture, the line of sight four fixed relationship Second, the line of sight three principles of coherence Third, the lens by the seventh line of sight Section of the coherence of the picture The fifth chapter of the composition The first section of the composition of photography First, the composition of the meaning Second, the purpose of composition Second, the characteristics of a screen composition First, the motion characteristics of the screen Second, the overall effect of the screen Third, Restrictive Fourth, the multi-view screen, multi-angle Fifth, the screen format of the ratio of fixed Sixth, the scene of the screen processing The third section of the composition of the style A documentary composition style Second, the composition style Third, the overall composition style Fourth Sectional structure of the visual elements of a style, geometric center Second, the visual center Third, the composition of the four main composition form Fourth, the horizon position Fifth, the perspective relationship Sixth, the frame format Seven, character position Eight, the background relationship Five static composition One, static composition Second, the meaning of existence Third, the static composition of the Section VI dynamic composition First, the dynamic composition Second, the meaning of the existence Third, the dynamic composition of the seventh Section photography should pay attention to the problem , The style of the form of the idea of two, the main location of the three, the character composition of four, multi-character composition of the layout of five empty lens six, two different effects of processing seven, composition, coherence eight, composition simple nine, frame effect ten, character composition style eleven , Horizon style Twelve, the visual guide line 13, composition correction 14, composition space reserved 15, composition angle 16, the composition of the actual relationship 17, composition balance 18, composition processing six basic picture forms 19 , Composition adjustment Twentieth, composition comparison The sixth chapter angle The first section angle One, angle significance Two, the angle decides three relations The second section angle function One, the angle has five kind of basic functions Second, the function analysis Third The angle of the angle of the first, the angle Second, the elevation angle Third, the angle of the fourth section to determine the angle of the screen factors First, the style Second, the scene Third, the character Fifth shooting angle Application should pay attention to The color of the first section of the color First, the understanding of color Second, the painting color and film color Third, the color of the psychological effects of the three properties Section II of the film color characteristics and the relationship between a screen color Second, the color purity Third, The color of the four color tone and tone Fifth, the color contrast Sixth, the color contrast with the contrast at the same time Seven, the color of the third section of the color of the color symbol First, the meaning of the color symbol Second, the color symbol type The fourth section of color subjective Color, the use of the subjective color of the scene Second, the use of emotional subjective color Third, the use of artistic subjective color Fourth, the subjective color of the use of characters In five, the formation of the subjective color of the six methods Fifth, the use of color processing First, determine the color Tone Second, emphasizing and highlighting the contrast of color Third, clear contrast and pay attention to its use in the film Chapter VIII of the main visual elements of the screen The first section of the visual element analysis methods and characteristics Section coordinate analysis Second, Analysis of the third quarter of the scene color band and color coordinates First, the color band analysis Second, the color coordinate analysis Third, the fourth quarter of the lens motion analysis of coordinate analysis First, the coordinate established Second, the curve of the fifth section of the angle The coordinate analysis First, the coordinate determination Second, the curve analysis Sixth scene changes coordinate analysis First, the coordinate determination Second, the curve analysis The seventh section scene color tone changes coordinates analysis Eighth scene sound element coordinate analysis Chapter ninth movement first section The movement of the second section of the purpose of movement First, the performance of the characters Second, the emotional strengthening and stress Third, the director of the style of the show Fourth, the formation of the rhythm Five visual impact Sixth, the movement effect Seven, narrative and expression Eight, visual conversion Nine, changes in the screen The third section of the movement form analysis One, push two, pull three, shake four, move five, lift fourth movement application and role Second, pull the lens picture Third, shake the lens screen Four, shift the lens screen Fifth, the lift screen The fifth movement should pay attention to the problem First, the external form of the meaning of the screen Second, the reasons and reasons Third, the choice of four control speed Fifth, the form of repetition Sixth, the relationship between character and direction Seven, composition processing Eight, amplitude and amplitude Chapter tenth music TV mtv picture creation Section creative one, creative core Two, creative focus Three, creative task Four , The creative seven real seven virtual Second space First, the spatial form Second, the space of the three styles The third section of color First, the meaning of color Second, the color classification Third, the use of color Four, warm tone processing of four Methods The fourth section of a movement, three levels of movement Second, the role of movement Third, the movement of the six forms The fourth section of the skills First, the technical factors Second, the four skills of the starting point The fifth section to think, positioning Second, As the basis of three, four sense of music TV four, three principles of poetry five, the creation of three images of the unity of six, the main type of style seven, editing the eight questions, think about how to choose the lens lens, how the lens angle to convey Out of the mood tone? In this lens, the camera needs to move? Appendix 1: Reference Sheets Appendix II: Thinking Questions

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