Raghuvansham

Raghuvansh is the epic written by Kalidas. In this epic twenty nineteen roses of raghu in the nineteen sarongs have been described using twenty-one types of rocks. Dilip, Raghu, Dashrath, Ram, Kush and guest have been given a special description. They all succeeded in establishing ideal in society. Rama has been described in a wide range. Six of them are related to nineteen.

Adikavi Valmiki created Ramayana by making Ram a hero, followed by many poets and writers of the world in their respective languages ​​and presented the story of Ram in their own way. Although Kalidas composed the story of Ram, in this tale he did not raise any one character as the protagonist. He composed the story of the entire dynasty in his work 'Raghuvansh', which begins with Dilip and ends on fire. After the posterity of the fire, after the coronation of his pregnant wife, this epic is the anticipation of the epic.

The oldest available commentary on Raghuvans is that of the 10th century Kashmiri poet Vallabhdev. But the most well-known commentary is 'Sanjivani' written by Mallinath (1350 AD - 1450 AD).

introduction

Kalidas has divided the story of 'Raghuvansh' into 19 serhes, in which the story of Raja Dilip, Raghu, Aj, Dasharath, Ram, Love, Kush, guest and the latter twenty Raghuvanshi kings has been knocked down. The downfall of this lineage is due to the excessive luxury of his last king Agnivarna, and this work is also here.

The nomination of the Raghuvanshi kings described in the twenty-one sages is as follows- viz. -

Through this legend, poet Kalidas has beautifully described the themes of Raja's character, ideals and rajdharma. It is also a part of this chapter of Sunavans in the history of India, on one hand it is a message that the fame and achievement of the king of Rajdharma spreads across the country, on the other hand, due to the characterless King, failure and descent are definite, Even if he is the descendant of any upper caste!

Critics have recognized Kalidas's best epic 'Raghuvansh'. From the end till the end, the singular skill of the accomplished poet is expressed in it. In this verse beginning with Dilip and Sudakshina's ascetic life, one story is revealed after the merits of Raghuvanshi kings, heroism, sacrifice and ascetic respectively, and the ending of poetry is by the luxury of sensual fire and its expiry. Dilip and Sadhakshina's penance: Poot conduct, Vrittan's disciple Kaats and Raghu's dialogue, Indumati Swaywar, Ajvilap, Ram and Sita's airplane, exile Sita's luminosity, confluence, disappearance of Ayodhya Nagar etc. etc. And the reader becomes visually blissful and looks after them. Even though there is a gathering of many storylines, in this epic, the poet has given them one kind of coordination with each other so that they have got the flow of natural flow. In this zyothitha constellation of many of the 'Raghuvansh' of the Nativity, the poet has given brightness and dignity to Admiral Valmiki's glorified Rama. The novelty of descriptions, the nature of the underlying nature, the beauty of the genre and 'Raghuvansh' in the sense of language and language is unrivaled in the Sanskrit epic.

The style of Raghuvansh epic is not complicated or artificial, simple, and prasadagamayamai. The elegant use of the ornaments is natural and intuitive. In some selected words, the poet has taken shelter of the wonderful device to show the beauty of the beauty of the object in the thirteenth-century of Raghuvans. While describing the confluence of the Ganges and the Yamuna, while describing the shade of the flow of mixed water, in the end, the poet has given an example of Shiva's body as well as its beauty and thus beauty Removed from the boundary and handed it to the hands of Infinity - If you look at this flow of Ganges from the waves of the Yamuna, right then, whoever is embellished with Krishna snakes and looks like the body of Lord Shiva, which is still attached to the Bhmsangraag.

Kalidas is primarily an expressive poet of soft and pleasant expressions. That is why the soft, picturesque and sweet side of nature has also been cast in this work.

At the beginning of Raghuvansh poetry, Mahakavi has given many types of delightful teachings for the sake of describing the importance of the kings of Raghukul and the excellence of describing their abilities. In Raghuvansh poetry, Kalidas made Raghuvanshi kings an honor, and placed the nature of generous men in front of the readers. In order to know the description of Raghuvanshi kings in a nutshell, the result of only one verse of Raghuvans is as follows - Tarayagya Samritharthanan Satyayi Mithabaniamam Yajasijunshununya Pradayi Swayamadhidanam Children's clothing is the subject matter. Wardeke Munivratittana Yoganantte Tantujjam

(Those who collect money for giving donations to Sampatra, reticent for truth, seeking victory for the good, and married for the offspring, those who are studying in childhood, who live in puberty, like the monks in old age Living and finally sacrificing the body through yoga (describing the kings)) Story of Raghuvansh

The story of 'Raghuvansh' starts from the entry of Rishi Vashishta's ashram of Dilip and his wife Sudakshina. King Dilip is wealthy, talented, intelligent and strong, as well as devout. They are rich in every way but there is a lack, then the child's Dilip is asked to serve Gomata Nandini to get blessings of childbirth. Like everyday, Nandini has been living in the jungle and Dilip also goes along with her for the guarding. In this one, a lion wants to cook Nandini for food. Dilip dedicates himself and prays to the lion that he will make it his own diet. The lion accepts prayer and swings to kill them. With this leap, the lion gets lost. Then Nandini explains that she had created this delusion to take Dilip's examination. Nandini delights with the service of Dilip and blesses the son's achievement. Raja Dilip and Sudakshina take the milk of Nandini and they get son Ratna. This virtuous son is named Raghu, because of his fortune, this dynasty is known as Raghuvansh.

Kalidas has detailed his description of the power of Raghu in his book 'Raghuvansh'. On stealing the horses of Ashwamedh Yagya, they fought with Indra and brought it out. He had donated all his wealth after completing the Vishwajit Yagya. When he did not have any money, one day the Rishiputra Kautas came and asked for 14 crores of gold from him so that he could give his Guru a dakshina. Raghu wanted to convince Krabar to satisfy this Brahmin. After receiving this information, Kuber panicked and filled his treasure with himself. Raghu handed over the entire treasure to Brahmin; But that Brahman pratikra accepted only 14 crore postures.

Raghu's son Aj is also very powerful. He went to Vidarbha's Princess Indumati Swayam and made him his wife. Kalidas has beautifully described this Swayam in 'Raghuvansh'. Raghu, seeing Aj's royalty, handed him his throne and took Vaniaprastha. Like Raghu, Aj has become a skilled king. He loved his wife Indumati very much. Once Naradaji was busy looking into the sky for his harp. Coincidentally, one of his flowers broke down and fell on the head of Rani Indumati, who was walking in the garden, where he died. Raja was indignant in the disunion of Ajay Indumati and finally took the water body.

Kalidas highlighted the biography of Dilip, Raghuji and Aja in the eight songs of 'Raghuvansh'. Later he narrated the story of Dasharath, Ram, Love and Kush in eight sarongs. When Ram was returning from Lanka, then sitting in a floral plane, Sita was showing Dandakaranya and those places of Panchavati where he had searched for Sita. Its very beautiful and tasty episode Kalidas has done in the thirteenth Surge of 'Raghuvansh'. This surge shows how deep the geographical information of Kalidas was.

The former fame of Ayodhya and the current situation is described by Kush with the skill of Kush, in the sixteenth century. In the last serpent, the enjoyment of the last king Agnivarna of Raghuvansh has been depicted. The closeness of the king's power is that when the people come to see the king, fire extinguishes their feet out of the window. The consequence of public disrespect is the decline of the state and thus a glorious lineage becomes the desired. Ramayana and Raghuvansh

Kalidas knew that the story of Ram's story had been exalted by the Ramayana of Valmiki, and whatever written after that would be the result of its liberation. That is why instead of making Ram a hero in his poetry, he presented Raghuvansha as a storyteller; In which all the characters have their own role - on the basis of their character ... some excellence is something bad. The name of Raghuvansh will continue in the name of his mighty and ideal kings. According to Valmiki Ramayana, the complete lineage of Ikshvaku dynasty

The above information is according to the epic raghuvans of Kalidas but before the name of Raghuvansh, the name of this line was 'Ikshwaku dynasty'. According to Valmiki Ramayana, the complete lineage of Ikshvaku dynasty is as follows in the marriage of Ram in Valmiki Ramayana. "Murichi was born to Apte Brahma ji, the son of Marichi, Kashyap became the Vivaswan of Vishvaswan and Vivaswan of Kashyap, Ikshwaku, the son of Vaivavasamnu, made Ayodhya his capital and thus established Ikshvaku Kul. The son of Kukshi, the son of Kukshi, was the name of Vikukshi, son of Vyakkshi, and son of Baan, Ananya. Trishanku's son Dhundhumar was born and the son of Dhundhumar was named Yavnavash, and the son of Yavnavash was born and he was born with a sense of humor, and two sons of Dhanundhi - Dhruvasandhi and Prasenjit, son of Dhruvasandhi. The son of Bharat was born and Asit's son Sagar happened, and the name of the son of Saggar was uncertain.Assuman's son Anshuman and the son of Anshuman R Dilip Hue, the son of Dilip Bhajiratha, Bhajirath brought the Ganga to the Earth with his Tapopole, the son of Bhagiratha Kakutastha and Raghu Huiya, son of Kakutastha, due to Raghu's extremely stunning and mighty king, done. Raghu's son grew up, who had become a demon because of a curse, his second name was Kalmaasadpath. Sudharsan Hooy, son of Prasiddha's son Shankhan and Shankhana. Sudarshan's son's name was Agniwaran. The son of Agnuvarna died and the son of Pradal died. The son of Maru was born and the mother of the mother-in-law was Ambrish. Ambrish's son's name was Nahush. The son of Nahush's son Yayati and Yayati got involved. The name of the son of the division was Aj. Dasaratha, son of Aja and four sons of Dasharatha Ramchandra, Bharat, Lakshman and Shamdhun. Raghuvansh

In this epic 21 types of rings have been used: Anushrajra, Sub-caste, Upendrajjra, Oriental, Tokat, Rapidhilambit, Pushpitagra, Praharshini, Mianjushabhini, Matthamur, Mandakrata, Malini, Rathodhta, Vasantha, Vasanttalka, Vataliya, Shradul Vikrita, Shalini, Swagta, Hariani.

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