European Dramatories

Initial

The history of the theater in Europe is usually 3,200 B.C. Starts with. Egypt

There are several types of drama in ancient Egypt. There are 55 pyramid dramas, and there are many drama related to the rajgadhi, festivals too. An Ayurvedic drama was also found. The pyramid drama, which is the oldest, is found on the walls of the 5th and 6th royal house. By observing these, it is known that some of these parts are usually from BC Are around 4000 years old. These names of the characters are not written before their narrative - the characters themselves say, "I'm nuts", "I'm horoscope." It is estimated that in these plays, the faces of eligible animals were used to behave in birds. Often these dramas were played by the priests living near these tombs. For the expense of these plays, some funds were separated by fairs. Often these dramas were played in the temples of Raja built near the tombs or the Mahabah. These were played in the Raja's temples built near Mahhabawa. The instructions written in them show that from what place they used to enter theater drama, what was there, etc. The map of this type of deir el Bahri temple has also been revived. By seeing this, it is known that these temples were built on many floors and were often disintegrated. An attempt has been made to show how the characters are admitted in the theater in a play engraved on a stone. This is called Shabaka Stone. A portrait of the theater has been displayed in the Pyramid of Josar, in which the wrapped curtains are also displayed. Often these dramas were played in reptiles based on pillars. The priest who wears the face of animals, we also see the picture in a picture. Greece

Playing in Greece begins with the worship of Dionosus. It may have been the effect of Egypt on the early plays, as the practice of celebrating the Dinosaur festival began in Egypt according to Herodotus and it was also celebrated in Attica behind. Proof of playing Greek plays in Syria often begins with 1250 BC. These plays have been found on two pillars in Ras Shamra. It may be that the tradition of playing dramas from Egypt to Syria has reached Greece. These festivals of Dinosaurs were celebrated four times a year. In the middle of December and January, the Poseidon Mass was called, the second Lenaea was in the month of January and early in the month of Gemelion, in the month of February, late February and early in March. (Was called & lt; ºÉä + xlÉäÊ®ú + É (Anthesteria)) and the fourth which was the most important was in late March and early April. This was called Elaphebolion.

The first drama, which is found, is sad. He is almost 534 BC in Greece Was played in. In ancient India, there were dramas in Kandras as well as in India. After that, started to be in the ground. They used to last for several days. During this period, white powdered zinc was used on the faces of the characters and painting was also done on the face. Thespis first played the face of the dress and played the practice of play. Because of this, the characters did not need to change their costumes every time. Choerilus first made the faces of women. Quite often, the significance of narrative was important in these plays. Aeschylus first fixed the costume of his characters, wearing them high shoes, heightened their height and raised their faces too. To make theater theaters beautiful, he started putting pictures in them and put some parts, and in one place two characters entered the stage together. In this period, the terracotta auditorium around the Greek theater was also started.

The remains of an ancient studio built near the temple of Dynaosus in Athens have been found and the remains of the exhibition hall of Delphi have been found in stone-made crescent stairs, and the space is empty in between. The spectators sat on these stairs and had dramas in the open space in front of them. On the back, the middle part started to become circular, where an altar was located, and one way to get to this place along the stairs was to be left for the arrival of the characters. This amphitheater was made in front of a hill and idols were also made in front of the stairs. The statue of the deity lived in the middle and the characters danced around it. Sophoclies started the practice of painted paintings in theatrical theaters. These curtains were made to stand behind the characters with wood support. It is often around 425 BC. In the plays of humorous juice, the character used to have the size of the pen on the head. The characters used to change their clothes to a nearby cottage, which gave the work of the goat. The singers used to sit in front of the showroom. The place behind them was sloppy, on which the deities were shown descending. On the steps of the stairs, the wooden stage started to grow. In the Pericles period, the first stage of the stone was made. In this stage, there were three gates like the houses of Greece in front of the wall, and the sides of the two sides were spread. They were called "Parsinkia" Dwār lived in them too. There were stairs in front of this fear. There was a barbiter on the stage terrace. It was called "Epicenone" Backpack was also made behind both sides of the same stage where the characters used to change their costumes. This stage was 65 feet tall from the front and so deep inside was deep. In the first auditorium there were only stairs. Walking behind these stairs, wooden checkpoints were kept for the city officials. After a few days, different beautiful throne took place in place of these posts.

This assumption is illusory that the painted curtains in Greece were not used on the stage. The first pictures were made on the wall, but later on, the pictures were placed on a thick cloth and hung on the back of Bally. There was also a wooden stall which was like a chariot. Twilight on top of the house used to show scenes of paradise. A wooden device was used to move the characters down on it. In the Hellenistic period, the stage was further refined. Theater began to become taller than the Earth. In this period, Greek theater in Italy was first built in the island of Sisli. Earlier theater here was made of wooden posts, and wooden poles on both sides of the building were hanged on them. Four or seven stairs were made towards the front. Drama was also played by the Greeks here too. The language was also Greek. Following, in 212 BC, dramas were being played in the honor of the Apollo deity. During the period of Julius Caesar, dramas were being played on the occasions of Caesar's victory. The form of dramatums also changed. Now theater began to be built on the eighteen-sized high pillars. There were curtains on them. Due to being a wood, these theatricals could be made at any place. Usually in 179 BC, a permanent drama became the first in Rome near the temple of Apollo. The plan to build a stone theater was also created, but due to protests from some radical people in Rome, it was not built. The wooden theater that was built here was destroyed by these people. It was built on 360 pillars according to Pliny and there were 300 sculptures in it. Theater was of three volumes, and in the auditorium there was usually a seating arrangement for 80 thousand viewers. This playhouse was topped up. Roman society

Behind the paints of Pompey, there was a stone sophistication in Rome. According to Plutarch, in the era of Augustus Caesar, E. P. Happened in 32 In the same period, due to the enthusiasm of Panke's friend Alkarennellus Balbus, another dramatary BC P. Created in 13 and Augustus, In 11th, another stone theater was built on the shield of the southeast of the Capitolik hill. In these theater theaters, there was a building behind the stage, whose walls were kept on the wall. Theater was in front of the building, which was called Pulsepatim. It was five feet high from the earth. The auditorium was made of crescendo. There were stairs in front of the equipped theater. To protect the audience from the sunlight in the auditorium, the veil of a thick cloth was stuck. In the middle of the theater, in the middle of the theater, the house behind the stage was equal to the height of the house, which was usually lived three or four blocks. The dances outside the theater were made very beautiful. There were narrow streets for going to and from theater.

The first characters were the writers of drama keeping the servants a servant. Afterward, it became a group of characters. They were mostly slaves of Greece and Sisli, who used to play drama in their own country before bondage. They often used to wear garments like Greek characters. Platts and Terrence were the principal playwrights of Rome's two comedians (254-159 B.C.). Seneca wrote sad drama. Due to the protest of Christians in Rome, the drama being played almost became close to 347 AD. Theodiosius I encouraged some playwright, and Pyodorick the Great established a theater again in Rome about 5th century. But the drama of playing was very low. Later religious acts began to be given the form of drama. They were called Mystries. Similar to the drama, priests used to be taught in Latin for unacceptable worshipers. Some plays are based on the events related to the life of the saints. They were called Myracles. All these plays were played in the cathedral. Their propagation in the Middle Ages increased greatly. When the crowd began to grow, these dramas began to be in the verandah in front of the cathedral. Because of these incidents, the Pope stopped playing them. These drama began to be played in the cities and villages, and for this the chariot movement was started. Like the Indian Ramlila, these plays were also performed in the field. These chariots belonged to six wheels, and there were dramas in the upper part of it and in the lower part, the costume costumes changed. These chariots were used to move from place to place. In these plays the scenes of heaven and hell were also shown. To show the scene of hell, the parts were also used. A big mouth would appear, smoke and fire would appear flowing out of it. In the same way, the sinners used to be dragged by black black men in the same way. When these dramas were done, the entrances of the city were closed and the non-stop guard used to roam around the city to protect it.

Western Europe

The story of the development of dramatics in each country of Europe has become different. Somewhere, such as in France, these games are shown in ancient Rome wooden theatrical theaters. These include a wooden staircase studio for the audience. In Rome these games were shown in the church, where games were used at some time, and in Spain this type of play started in Corales. The chariots of Holland and England have been traded. Pastors used to work only in the first plays, but after the Pope's injunction, various business associations took up this work, and they started playing on other social festivals in place of Christmas or Easter religious festivals. 13th Century

In France, the first time in 13th century was written by John Bodel of Arras, a play on St. Nicholas of Araas. After this many plays were written similarly. In England, a series of such plays is ready. In addition to these plays, some dramas were also written in which attempts were made to show the benefit of Christian faith. They were called Moralities. In these types of plays, L'hommigusta, L'homme pecheur are very famous. These were written in the reign of 12th Louis Le Jeu dela Feuiltee was written in 1262. Le Jeu de Robin et de Marion was a comedy drama thrown in. It was also created in this period. But there were some annual festivals before these plays. Some of them were used to dramatically celebrate religious acts. These were the Festival of Daughter Banquets, Boy Bishop. Among them, only a small priest used to participate. After the 15th century

At the end of the 15th century and early 16th century there were plenty of dramatists in Italy. Giovanni Roisseli Rosmunda was played in the garden of Rucellai around 1500 AD in front of the Pope Lio X. Orbecc, written by Giovanni Eattista Giraldy (1504-1573) wrote. These plays were written in the Italian language. In this period Niccolo Machiavelli (1469-1517) also happened. Its play Il Pireship (II princepe) was published in 1532 and La Mandragola was published in Rome in 1534 AD. These plays have gained a lot of fame. By this time the playwright had become one of their own troupes. A manager of this circle was also appointed. It used to manage everything in the drama like ours. In Italy, women were also coming to theater during this period. Faces were also worn in which the real form of the characters did not seem to be known. Promotion of Commedia dell arte Pastor people often kept control over them. Now dramas began to be played in theaters again, but these theatricals were taken from one place to another, such as in the early 20th century, Alfred Company visited India from one town to another and used to carry their theater with them. Were there In Spain, due to the Muslims, theater has been completely closed in France and in England. During the era of Queen Elizabeth in England, they were greatly developed by getting the princesses. In the early 16th century, John Heywood (1500-1580), like Maitre Pierre pathelow in France, The Four p's, Merry play of John, Tib Written by Tyb & Sir John, The play of the weather, Written by Uddal (1505-1556) Ralph Roister Doister. Similar similar plays were written. Thomas Norton & Thomas Sachville wrote Garboduc.

In 1576 AD, James Burbage created a theater and named it the theater.

This Shoreditch built in the seven hundred pounds near the Thames River north of London. There is a legend that it had a seat of 1500 spectators. This theater was wooden and was open from above. The viewers often stood in front of the stage and watched the drama. Due to lack of roof in it the drama used to be in the day only. On the occasion of the rain, the characters of the drama, who lived in the next part of the stage, were begging. Theater was made of quadrilateral and was out in the auditorium. There was a terrace on the back side. Next to this roof there was a thick cloth stem, which used to protect some of the characters from the rain. The elite who gave more rupees, had a place in a verandah in front of theater to sit for them. A curtain was hanging from the ceiling on the stage. The entire drama was made of circular English "O" shape. The paintings of the paintings were not behaved like Italian theaters. Some wealthy people also sat on the stage. There was only one door to go to the theater. This type of theater was certified very convenient. The opening of this theater was opened at the place called Cutan Road in Shoreditch. In 1592 AD, the theater became Rose. It was covered with a rooftop terrace. Christopher Malons wrote plays to play in this playroom. A second playwright named Globe was opened in 1598 AD on the same side of the River Thames, in which the legendary Shakespeare worked and for which he wrote plays. The globe was also circular. And it was inaugurated by Shakespeare's play titled "Henry Pancham". In 1613 AD, when this theater went away, the second building of the globe was made by putting the roof of the palms. Due to its growing fame, Hansslow and Allen created a playwright Farchun in London. The roof of the cloth was made and the water on it was drained out, in which the water did not fall on the faces of the spectators or the characters. This theater was made very big. There was a quadrangular stage of 43 feet. It was burned in 1631 AD but again it was again in the same year. In 1661 AD it was dropped from the decree. In this period, scenes were shown figuratively, such as a tree was said to be standing on stage and it was said to be a forest. The second theater was Swan, whose description was given in 1596 by a Dutch writer Johan de Witt. It has written that there was often a place for 3000 viewers to sit but it is difficult to believe in its statistics.

When the era of new dramas began in France in the beginning of the 16th century, the drama was first played by the students of the same college's dining room. He studied Greek language and Latin, and because of these ancient plays, these new plays could also be presented at theater. These plays did not understand the ordinary people. The university could enjoy only Robin Garnier (1534-1590) was well-known in this type of Greek-style playwright. Its Hippolyte, La Troade, Antigone, Le Juve and the Les Juives have been played for years. After the arrival of Gelosi (1540-1612), the attraction of Italy's plays was enhanced. Its best drama was Les Esprits, which the writers of the past adopted a lot. The first theater was built in Hotel de Bourgogne. There was a terrace on this playroom, but the inside theater was spread far into the auditorium and the venue was too short for the visitors to sit. Often elite people could sit down A stained curtain was lying on one side of the stage. The characters used to perform the same before him. The ceiling of the auditorium was very low. To throw light on the stage, the candle was lit on the stage floor. A chandelier was burning up. The curtains removed could not be increased; Because of this theater was divided into several parts. After a sequence, the play was played on the next part of the stage in the middle of the second scene. Both the thin and porous verandah were supported by fear. Due to the ceiling and slow down, the theater of the theaters became very pale. Often the plays started at two o'clock in the morning so that they could end before being dark. Hotel D'Burghine's theatrical show was rented to a playwright company around 1599 AD. In it the rich viewers did not always pay the cost of watching the play, but their nets continued to do their work. In the following theater, the workers from the Italian Commedia dell arte were brought here from Italy, and some work went on again. Second theater became Theatre du Marais, in which the back was made and the man used to work. Alexander Hardy wrote many plays (between 1560-1631), in which Mariamme became very famous. It was an attempt to show the characters in action in place of long-stub Kathnakoptan. Many playwrights adopted this method. In 1635, Carneille began to write dramatic plays. Its play was played at Hotel Burgin. Racine's Britannicus was played in 1676 AD; This is also a sad drama. Famous plays of Moley were also played during its era. It was born in 1622 AD. Plays written by the L'illustrated Theatre Circle It also used to work in After some days the play was played in the Hotel du Peti bouquet and afterwards the royal palace was very beautiful. It was built by Cardinal Richelieu. It had all the features like theater in Italy. All the plays written in it are beautiful and are still played in France such as L'ecole des Maris or Les precicues Ridicules, Les Facheuse, Tartuffe etc. / p>

In this period, when the dramatic development of France and England was developing very well. There was no progress in Germany. The reason for this may have been political. Drama boards were coming from England. Over the opera in Italy attracted the public.

Naturals reopened after the opposition of fundamentalists opposed in England around 1660 AD. Now France's great influence on theatrologists began to be visible. After sitting on the throne of the second of the second, a playroom was rebuilt in Drry Lane in 1663 AD. This playhouse was often the size of the theater of Elizabeth's era, but it had all the features of France's theatrical theaters. Due to Raja Prasharsh, there was also a lot of development of dramatic arts. Because of the enthusiasm of the second drama D'Avenant, Dossant Gardens was built in 1671 AD. In 1682 AD, both theatricals were unified and the Killingigraew and D'Avena worked together. Both of them were powerful influential men and at the time of this time the characters were given salaries. In the beginning of the 18th century, the plays of Jean François Renard were shocked in France. The La Coquette, La Fausse Prude La Fouire Saint-Germain, La Joueur, and Democrite etc. are considered to be equivalent to the plays of Moley. This was contemporary and rival Alan Rane de Sage, who wrote Turcaret. After this, in France, like in India, the dramas of artificial feelings started to be written in France. The most important writer of this period was Voltaire. As it came to stay in England, it was influenced by the rules of theatricals and it also revived the theater dramas of France. First of all, it stopped the spectators sitting in theater. During that time, when the dramas were in front of the emperor of France, beautiful scenes of beautiful scenes were used, but for the general public only one behind-the-scenes painted. When the Théâtre Français was re-opened in 1759 AD, the leopards of Voltaire gathered and all the new curtains and parties were planted in the theater. In this way France became the mainstay of Europe. The second play was Guinegaud, but it had to be stopped due to the opposition of Sorvon University. Societaires, meaning the group of dramatists built around another 17,000 near Rue des Fossis Saint-Gergmainder-pres. It was an old-fashioned long theater. In it there was a space of three steep slopes for the visitors to sit. There was freedom to sit in theater on the elite, due to this, only 11 feet were left empty for the sake of the performance of the characters from 15 feet on the other side. This playhouse continued till 1770 AD. He was subsequently destroyed in the absence of repair. Now the drama was a drama in Sal de des Machines en uia leries in the film De Dashin. The characters here often used to wear antique costume in France. Names of many characters are available in this period. In this period, many small major theatricals were created in France. In 1701, there were three troupes of drama in France - Comedie Farncaise, Academy of Royale de Musique and Comedians Rua de la Trope Itelienne (Comediens du Roi de la troupe itelienne). These congregations continued working till 1780 AD. At the time of the French Revolution, 12 principals were in the shift (Paris). Théâtre de la République; Théâtre Feydean; Théâtre de la Égalité; Théâtre de la Cité; et al. The theaters of this era lived more than ever before. In the era of Napoleon the play got further encouragement. There was no change in theater There were three major playwrights during this period in Italy - Carlo Goldani, who wrote over 300 plays, was a Benice resident. Its La Locandiera is very famous. Count Carlo Gozzi was its rival. It was also of Venice. Among its plays, L'amore delle tre Melarance and Il Carbo became famous. Due to the first play Goldenoli had to leave Italy and go to France. The third playwright was Count Vittorio Amadeo Alfieeri, who raised the drama level a lot. Apart from these and many other small dramatists too. There was a big expansion of theater theaters during this period. Among the beautiful theaters were Venice's San Cassians, Verona Teatro Filaramanico, and San Carlo in Naples. The characters used to wear these big beautiful costumes. In Germany, there were Goethe and Shiller in this period. Goethe's Faust and Shiller's Don Carlos became famous. The playwright of the National Theater of Shiller Mannheim was appointed in 1787. In this period, the center of the hamburgers became the centers of theatricals. Many plays were played in the Nashala area here. Become a Burg Theater in Vienna. The name of Schröder (p), manager of Hamburg's theater group, is still safe in the pages of the history of the theatrical theaters. This was the master of dramatics.

In France, the use of a variety of instruments was used to show the scenes in the 18th Century. The impact was on all European theatricals. Apart from the painted positions, the exhibition of buildings, stairs, etc. has also started to be done with the help of cut-thighs. On the theater, the roof became compulsorily formed. Seeing the map of Getaway's Wemare Theater is safe now, it is known that Germany's theater has remained distorted. The front of the stage was semi-circular. There was a sitting room next to it. In front of the stage there were both Hermes, on which the viewers used to sit.

In the same century, the theater theaters in Russia made a stellar showroom by installing marble made of Catherine II (1729-96). This theater was in Hermitage Palace. Several plays written by Katherine were played in it, such as "O Tempora".

There was a lot of change in the 18th century theater theaters in England. In this era, David Garic, who had fascinated all the London audience with his acting. At this time Drury Lane had a playhouse, another play was made in Goodman's fields. Here, David Garrik performed Shakespeare's "Richard III" Leir, Hamlet "etc. with this naturalness that people were stunned. In this period the playwright could not be equated with Shakespeare, but the full development of the dramatic art of Garik and Kenwel ( Kemble). He was also a good manager. America

The first drama in America was played in Rio Grande in New Mexico in 1598. This drama was written by Captain Farhan and was in the language of Spanish. In the year 1606, Morc Lescarbot's masque port was played in Port Royal Acadia. The first English drama was played in 1665 AD on the eastern side of the Virgin, but it is believed that the first drama in 1732 AD was made in New York and on December 6 it was played the first drama "The Recruiting Officer". In Virginia, in 1716 AD, with the help of the moves and my stagg (Charles & Mary Stagg), the theater became. The curtains and other equipment were earmarked from England. In Philadelphia in 1749 AD, the theater began to be formed. The play of Shakespeare and other English playwrights began in 1750 AD, in the drama that was made on Nassaw Street in New York. By this time the curtains of drama, which were spent in England, were old. The drama room was decorated with candles. After the American Revolution, John Street became a theater drama in New York, on East Baltimore Road in Mery Land in Southwark, in Philadelphia, and in the street theater theaters in Charleston. The attempts to awaken the spirit of revolt against the British in particular are visible in the plays of this era.

The first drama written by the American author is Tomas Gaudfray's The Prince Suri Parthia. The Contrast (The contrast), written in this period, which was played in 1787 AD, became very famous. After this, America's style began to grow and its form of dramas began to grow, and Europe's impact was reduced. In the 19th century, a new era began in France. Della Cruz (Dela croix) Hugo, La Martin, Duma Belzac etc. gave new inspiration. In place of the traditional method, adopting new experiments began, the size of the theatricals also changed now and also the decoration changed. Dramatories now started to form round shape often from within. Harmikas remained in front of the stage and on the three side of the hall for the seats. To bring the reality to the theater, parts of the buildings started to appear. In the same period science and developmentism of Darwin had greatly altered the beliefs of life. With this effect, the dramas began to change quickly with the help of spares yesterday. 19th Century

Emile Zola and Alphonse Daudet, in the latter part of the 19th century, tried to show real life on stage and began to delve into problems of the life of their era. Andra Aankavad further extended this experiment. Now the production of the life of ordinary people started at theater and his cottage, his broken chair and the table were also shown in decorated decorated theatrums.

The most influential dramatist of this era was Ibson. It changed the method of writing the plays of all civilized worlds. This made such laughter of artificial beliefs and hypocrisy of the society that the whole public was shocked. The naked depiction of its social, political and religious life has made people wander about thinking about their principles. De Unges forbund or The League of Youth, Et Dukesheim or A Doll's House, etc. have gained great popularity. The plays written by Ibsen were spread out to faraway Japan.

Releases of reality playwriters, John Galsworthi, and J.M. in England. Berry received great reputation, but in the most influential dramatists of this era, George was Bernardasha. He liked the illusion of the hollow of the society like Ibons. His written plays influenced all Europe and America. He wrote on all the problems in his long lifetime and reversed the method of thinking of human beings. Mahatma Gandhi, when he was awarded the biggest joke in Europe. The Apple Cart, Man & Superman, is written by Arms & The Man, The Simlepton the Millions; John Bull's Other Island etc. was proven very effective.

Astrovsky of Russia in the middle and late 19th century wrote many plays, highlighting the reality of social life. Its "Poverty is no crime", "The Snow Maiden", "The Pure Bride", The Bulves and Sheep etc. were very famous. These include only the gravity of social problems but they have not been resolved.

Count Tolstoy had written novels, also wrote plays. Their "War and Peace" "Anna Karenina" creations gained good fame. Their "The First Distiller", "The Fruits of Culture", "Redeman" etc., influenced not only the plays but also the writers of Europe. The most influential dramatist of this period was Chekhov (1860-1904). This and Gorky tried to show the changing picture of society. At this time Mali, Bolshoi, Alexandrinski and the Moscow Art Theater were used to play. Chekhov started portraying the lives of the dalit class. He tried to show the society of his era in The Bear, The Marriage Proposal, The Wedding, The Sea Gull, Cherry Archer. Gorky (1868-1936) started writing dramas on the sayings of Chekhov. "The Snug Citizen" was its first attempt. After this he wrote many plays. Summer Folk, Children on the Sun, The Barbarian False, etc. On his death, the art academic theater of Moscow was named Makassem Gorky Theater.

फ्रांस में रोमाँ रोलाँ (Romain Rolland) ने ल कार्तोर्ज जुइए (The July 14) के पचात् ल जू ड लामूर ए ड लामोर (The game del love and Lamort) लिखा. यह उपन्यासकार था और इसके नाटकों में इसकी प्रतिभा उतनी नहीं चमकी. हेनरी रने लेनोरमाँ (Henri Rene 'Lenormand) ने मनोवैज्ञानिक आधार पर ल ताँ एत अं सोज (Time is a dream), ले राते (Rites) लिखे. इसके नाटक बहुत प्रभावााली सिद्ध हुए. इसके पचात् कई फ्रांसीसी नाटककारों ने मनोवैज्ञानिक नाटक लिखे. अब नाट्यशाला में स्वाभाविकता लाने का अधिक प्रयत्न किया जाने लगा. जाक कोपा (Jaques Copeau) ने प्रथम महायुद्ध के पचात् पारी में एक नाट्यशाला बनाई जो अपनी सादगी तथा उपयोगिता के हेतु बहुत प्रसिद्ध हुई. इसमें इसने फ्रांसीसी नाटक, जैसे ल पाकबो टेनासिटी (The Ship Tenacity) अनातोल फ्रांस का ओ पेती वानयोर (Au Bonheur Petil) तथा आंद्रे ज़ीद का सऊल (Sauil) प्रस्तुत किया. Era of television

Before the second battle, it became its national theater in the United States. The ideology that William Van Moody had written to write psychological plays, was further enhanced by Rol Crothers by his drama Aje Husswands-go and Susan & Gord. George Kelly tried to show the characters in their natural environment in their plays. Almer Rice first acted in the theater of the technician of the photo. The street scenes written by it, We the People, proved to be big drawers. Now new experiments have started with the help of electricity at theater. Using light and shadow, new scenes began to be produced.

O Neil (O 'Neill) presented himself as a prominent playwright in his The Emperor Jones. In different, it showed the ill effects of the suppression of the senses. It demonstrated the real life of America in its Heritage App. Hardak also objected to the reality of this play, but the method of presenting such a drama came to light. It has put many dramas, such as "Desire Under the Elms", in front of stage theaters in front of Cinema. Then the small theatricals were born in which musical dramas were shown. Now there is no such city in the United States where there are no theaters.

Hitler & # 39; s former Germany and Russia have similar musicals of the United States. By the second battle, televisions greatly reduced the importance of the theater theaters. Through this, the same drama could see crores of dicks sitting together in their homes. Speaking of its special propaganda in Europe, the plays performed by the pictures were not satisfied and smaller and larger theatricals became equipped with modern equipment. Now theater has taken the symbolic form again. Wrap curtains are being used to replace the painted curtains. Simple equipment began to come into practice.

Another type of playroom, which is now being started in Europe, is the playground playground. In addition to the theater, the studio stays on the earth. At this place, people sit on the motors and enjoy the drama being played on the stage from the telescope. The motors are comfortable due to the cold heat furnace. Now the dramatars are started by the states in which drama boards present their plays. Naturals are beginning to become public. The municipality has built them somewhere, the state government has somewhere.

Thus, the story of the development of Europe's Naturals starts from the temples of Egypt and reaches to the public areas. Today's era is only for public industries. The public has a state in Europe. The construction of play-houses is fundamental with the wealth of the people. These are specifically taken care of public facilities. Theater, Theater are all created from this same point of view. Through the temperate system, the temperature of the theater plays in control. The sounds of the characters are heard normally by electric sound transmitters. Other features are also available for the record holder. Also see them

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