Rangoli

   

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Rangoli is the ancient cultural tradition and folk art of India. Rangoli's name and style may vary in different regions, but there is enough similarity in the spirit and culture contained in it. Its unique feature diversify it and also displays its various dimensions. It is usually made from dried and natural colors on festivals, vow, worship, festive wedding etc. on auspicious occasions. It can have simple geometric shapes or shapes of deities. Their purpose is decoration and ecstasy. They often make women of the house. The themes of these traditional artifacts, created on different occasions, are different for the occasion. Dry or wet rice, vermilion, rosy, turmeric, dry flour and other natural colors are used in traditional colors used for this, but now the colors of Rangoli are also used in chemical colors. Rangoli is made in the center of the door, in the center of the courtyard and in the middle of a certain place for the festival. Sometimes it is made from flowers, wood or any other item or food like rice.

History of Rangoli These paintings of Indasghati can be seen in the original shapes of Indian Rangoli.

Rangoli has a name called Alpana too. There are signs of Alpana in Mohan Jodado and Harappa. Alpana Vatsyayana's work-thread is one of the four chapters of the arts. This is a very ancient folk art. In relation to its origin, it is generally known that the word 'alpana' comes from the Sanskrit word 'olympane', olympane means - coating means. In ancient times people believed that these artistic images are able to keep cities and villages full of money and keep the property safe with its magical influence. From this perspective, Alpana Art has been practiced on religious and social occasions. Many fast or puja, in which the enlightenment is given, is preceded by the era of the Aryans. Anand Kumar Swamy, who is called Pandit of Indian Art, is of the opinion that the direct connection of Bengal's modern folk art is to the art of Mohan Jodro, 5000 years ago. According to Gurusahy Dutt, the creator of the Vrattari movement and the Bengali people of art and culture, the flower of Kamal which makes Bengali women middle of their enlightenment, is a replica of lotus flowers of the time of Mohan Jodaro. Some other scholars believe that Alpana has come from our Austrians, such as Munda species in our culture, who lived long before the arrival of the Aryans in this country. According to them, folk art of ancient and traditional Bangla is coming from the era of agriculture. The people of that time believed in some goddesses and some magical influences, whose practice was a good crop and the spirits ran away. With inspiration from these legendary texts of Alpana, Acharya Avinindranath Tagore made a compulsory subject in this art as well as other art of art in the art building in Shanti Niketan. Today this art is known as the Alpana of Santiniketan. In this art, the name of Goddess Devi will be very long, which is considered to be the mother of Shanti Niketan Alpana. Purpose of Rangoli Rangoli celebrated at home on the occasion of Deepawali

Rangoli is a symbol of religious, cultural beliefs. It has been considered an important part of the spiritual process. Only then, when making the 'altar' in various offerings and yagna, the mandates are made. The custom of making Rangoli is still present in the rural areas after leaking house-patches. The spirit of land-purification and the call of prosperity are also contained in it. Alpana is a symbol of life philosophy in which, with full enthusiasm, knowing the mortality remains, continuity and devotion to live with the present and the Sun god. Even knowing that it will be washed away tomorrow, for the purpose, it is the greatest desire. In addition to festivals, on any other demanding occasions in the household or, say that the art of decorating Rangoli is no longer limited to the worship hall. Women make big hobbies and excitement in every room of the house and at the entrance, Rangoli. This hobby itself is the basis of his imagination, it is also a symbol of the desire to create a new and new creation. Symbols made in Rangoli include swastiks, lotus flowers, pak (paglai) of Lakshmiji etc. are considered to be rich and prosperous. Today, daily decorations of many houses, deities are made. This art of preserving customs has become part of modern families too. With the introduction of craftsmanship and diverse artistic taste, most of the earrings are symbolic of any human emotion, except for some artifacts designed for the home decor. And thus, these are considered as important tools in realizing our cultural feelings. Rangoli is a colorful expression of joy and happiness. Rangoli of different provinces Pukolom

Rangoli is an ornamentation art which has different names in different provinces of India. Chowk fullana in Uttar Pradesh, Mandana in Rajasthan, Aripan in Bihar, Rangoli in Maharashtra, Rangvalli in Maharashtra, Kollam in Karnataka, Kutch in Uttar Pradesh, Mugu or Mugululu in Andhra Pradesh, 'Adupana' in Himachal Pradesh, Kumaon Kotham in Kerala or Thaipa, then Kerala There are many variations in all these colors. In Maharashtra, people make Rangoli in the morning at the door of their houses so that no bad power in the house can enter. On the south side of India, on the occasion of Onam in Kerala, flowers are used to decorate Rangoli. South Indian provinces - Tamil Nadu, Andhra Pradesh and Kollam in Karnataka have some difference but their basics are in place. They are decorated in geometric and symmetrical sizes. Rice flour or slurry is used for this. The use of rice flour is white and it is easily available. Dried rice flour is placed in a fixed mold by placing it between the thumb and index finger. The Mandana from Rajasthan which is derived from the word of Mandan is the meaning of decoration. Mandana can be categorized on the basis of different festivals, main festivals and seasons. It can also be divided on the basis of different shapes of shapes. In Kumaon K'ilikh Thap, or Thapa, a number of drafting symbols, artistic designs, belaboots are used. Different sign and art mediums are used by different sections of the society in writing. Usually South Indian Rangoli is based on geometric shapes while on the auspicious symbols of North India. Major elements of Rangoli Rangoli Ranges

Rangoli is from any province of India, it is a folk art, so its elements are also taken from the public and it is normal. Rangoli's most important element is festivity. Good symbols are selected for this. These types of symbols have been made in the same form from generation to generation - and these symbols are essential. The new generation traditionally learns this art and thus maintains the tradition of their family. The major symbols of Rangoli include lotus flower, its leaves, mangoes, manglas, fish, different types of birds, parrots, swans, peacocks, human shapes and belbots are found in almost all the colors of India. Some special shapes are added in the colors created on special occasions such as Deep, Ganesh or Lakshmi in Rangoli in Deepawali. The second major element of Rangoli is the incoming material. It uses the same material that easily gets in every place. Therefore, this art is prevalent in the homes of the rich and the poor. Generally, the main ingredient for making Rangoli is the solution of roasted rice, color made from dry leaves powder, charcoal, burnt soil, wood saw etc. Rangoli's third important element is the background. For the background of Rangoli, clean or leopard ground or wall is used. Rangoli is made in the middle of the courtyard, on the corners, or in the form of a bell. There is a tradition of making Rangoli on the door of the main gate. There is a tradition of decorating the Rangoli in the seat of God, the base of the lamp, the pooja of the pooja and the altar of sacrifice. Over time, Rangoli art has also included innovative ideas and new ideas. It has also had an impact on hospitality and tourism, and its commercial form has also evolved. Due to this, it has started to be made with convenient colors at places like hotels but its traditional charm, artistry and significance still remain. Rangoli composition Rangoli Ranges

Rangoli is made of two types. Dry and wet Both are formed by adding one freehand and the other points. For the rangoli, which is formed by adding the points, the first white color is made from a certain shape on the ground in a particular shape, then adding a beautiful shape, shaking those points. After forming the shape, the desired color is filled in it. In the freehand rangoli, the shape is made directly on the ground. The ocher and white stack is used to make traditional mandana. Rangoli can be made colorful with colors of the colors found in the market. For those who want to get relief from the hassle of making Rangoli, 'Redeemed Rangoli' stickers are also available in the market to decorate the house of Goddess, who can be made to the Rangoli samples by placing them at the desired place. In addition, there are also emerald shapes in the market as plots on the plains, which, when placed on the ground and painted on it, emerge beautiful shape on the ground. If the practice of making Rangoli is not practiced then these items can be used. Some molds also come in which dough or color powder can be filled. There are small holes according to the sample. When they collide slightly from the ground, the color flows in certain places and the beautiful sample becomes visible. Plastic stencils are also used to make Rangoli. Wet roasting rice is prepared by mixing it with water. This solution is called an apple, apne or pithaar. Turmeric is also used to make it colorful. Apart from this, the colorful Rangoli marketers are also made from posters, crayons, fabric and acrylic colors. Beliefs and beliefs Kollam in Tamil Nadu

This myth is common in Tamil Nadu that in the month of Marcadi, Devi Andal has requested Lord Thirumal to marry. After long meditation, he merged in Lord Tirumala. Therefore, in this month, unmarried girls get up before sunrise and decorate Rangoli for the welcome of Lord Tirumala. In relation to Rangoli, many stories are prevalent in the Puranas. The first Indian texts on painting mention a story in the picture traits, that is, the son of a king's priest died. Brahma asked the king to make the boy's drawing on the ground so that he could die. The king drew some lines on the ground, from where it started the Alpana or Rangoli. There is another story in this context that Brahma took out the juice of mango tree in the fusion of creation and made a figure of a woman on the ground. The beauty of that woman was about to beat the nymphs, later she called the woman Urvashi. This figure, drawn by Brahma, is the first form of Rangoli. There are even more mythological regarding Rangoli, such as the mention of Rangoli in the Ramayana where the discussion of Sita's marriage pavilion has been mentioned. The cultural development of Rangoli in the south occurred in the era of Chola rulers. Behind the use of rice flour, it is believed that the ant should feed. It is believed that there is food for other animals in the pretext of kollam, which protects the natural cycle. Rangoli is not removed from the broom or the feet, but they are removed with water fountains or mud wash hands. There is no festival festival in Mithilanchal or (like a suburban-marriage ceremony) ceremony when no painting is done in the walls of the house and in the courtyard. For each occasion, "Aripan" is made from different trunks which have different spiritual meanings. On the occasion of marriage, paintings like "Kohabar" and "Naina Jogin", which are actually based on the mechanism created on the walls in the bride and groom's room, are the representations of the nuances of painting. Water and color Rangoli with flowers made of flowers

Artists have now made water as a medium for Rangoli. For this, water is put in a tub or tank, in a stable and flat area with water. It is tried that water should not be avoided by air or any other kind of momentum. After this, the powder of charcoal is sprinkled. On this, the artist decorates Rangoli with other materials. Such color ranges look gorgeous. Rangoli is made with the help of flower petals and diyas on the filled water. To prevent shades on the water surface, instead of charcoal, distemper or molten wax is also used. Some rangolis are also made under water. For this, the water is filled in a lesser vessel and then Rangoli is prepared by putting oil well on a saucer or tray. After this, lightly spray oil is kept in the bottom of the pot of water. Rangoli does not spread in water due to its oil spills. Vandana Joshi, who lives in Nagpur, Maharashtra, has mastered making Rangoli. She is the first woman in the world to create Rangoli on the water, and she has made her name in Guinness Book of World Records by making her the world's biggest Rangoli on February 7, 2004. Rajkumar Chandan is the second major artist to make Rangoli on water. He has done a wonderful job of making giant Rangoli on 17 acres of water in Meetha taluka in Devas. The tradition and modernity contained in Rangoli Giant Rangoli, created by Vijayalakshmi Mohan in Singapore

Rangoli is the oldest folk painting in India's cultural traditions. The three main forms of this painting are: Land drawing, murals and paintings on paper and textiles. It has the most popular land underlines, known as Alpana or Rangoli. For murals, Madhubani in Bihar and the famous place named Worli in Thane district of Maharashtra. Their style and creative content are similar to Rangoli. In this, decorations of the walls are done on a variety of occasions with auspicious symbols on various occasions. The third type of illustrations are on paper or clothing. In Kumaon, it is called Jhooti, ​​Rajasthan or in Jharka. In the Jyoti, where the images of the living beings and gods are made, in the flame is the genealogy of kings and Lok Deities painted. The art of Kalpakari and Orissa in Andhra Pradesh is also an example of this folk art, which shows that this tradition of portraying folk culture is very comprehensive and ancient. It also makes it clear how much artistry and elegance are contained in the core of Indian culture. Rangoli artwork as

This artistry and elegance is still visible on auspicious occasions by changing the form. With the development of prosperity nowadays, it is not awaiting auspicious opportunity to decorate it, but any important occasion is celebrated as auspicious by Rangoli decoration. Whether it is the launch or the promotion of hotels, Rangoli decoration is considered necessary. Apart from this, artists have started Rangoli Pradshani and Rangoli competitions nowadays. Some colors are also similar to those which look like an artwork in view. These can be easily targeted with the incorporation of modernity and tradition. Rangoli formation competition and a wonderful sequence of record cards have started. Vijay Laxmi Mohan, the first woman to reach Rangoli from Guinness Book of World Records, who made this record on 3 August 2003 in Singapore. The record is breaking every year till 2009. Apart from this, the record of making Rangoli on water has also joined the Guinness Book of World Records. Picture gallery

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